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A MAN EXTRAORDINAIRE: ARUNBHAI GANDHI

She worked with him for twenty years and he remained a friend till his last days. Saroj Satija remembers Arun Gandhi in this t...

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WE ARE NOT AT PEACE

Humra Quraishi discusses the position of the Urdu language in India, on International Mother Language Day – 21st Februar...

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KANTARA, GANGUBAI, KUNCHACKO BOBAN, ALIA BHATT RATED BEST OF 2022

Indian Film Institute (IFI) has announced its annual ratings of the best films and best male and female actors of 2022, reports The Dai...

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THE GERSON DACUNHA DIARIES

On the 7th of January, his first death anniversary, we remember Gerson Dacunha through one of his last conversations with Ni...

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Childhood, Holocaust and the Cinema of Louis Malle

Louis Malle’s semi-autobiographical 1987 film ‘Au revoir les enfants’ or ‘Goodbye, Children’ belongs to this rare...

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URMI JUVEKAR: The Storyteller

Aparajita Krishna deep dives to writer Urmi Juvekar’s life and journey as a creative force and returns from the immersiv...

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The Shalimar Adventure

Film historian Dhruv Somani rewinds to the 1978 heist thriller, the international co-production Shalimar, as its charismatic h...

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Frank and Fearless

Film historian Dhruv Somani assesses the yesteryear success story of the gossip-packed monthly magazine Stardust.

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‘You Want Crorepati Glasses?’

It’s everywhere, on the streets, in living rooms, on cellphones and endorsement billboards. Khalid Mohamed writes on the...

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The Filmmaker And The Feminist

Vinta Nanda chats with Rinki Roy Bhattacharya, one of the first feminists, a woman greatly respected by the entire fraternity ...

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